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Welcome to the EMERGENCE blog that brings interviews with the creators and project collaborators as well as reflections of participants and audience.

 

Just get read and inspire yourself.

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Materials that left behind

Jane Collins, professor of Theatre and Performance at UAL, reflections on Fragments Exhibition

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Emergence awakens curiosity 

Markéta Fantová, stage, lighting, and costume designer and artistic director of PQ, in an interview about Emergence project

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Excellent work that very much needed to be experienced first-hand

Christopher Daniel, architect, designer and director of Polysemic Ltd, reflections on Emergence Exhibition at PQ 2019

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The Prague Quadrennial is a little universe with its representation of the whole outside itself

Aziza Kadyrova, artists and BA in Fashion and Textile Design, reflections on the PQ 2019 Internship Program

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Scenography is the art of making space able to accept a context

Marina Maleni, board member of CYCSTAT, and of the Cyprus Theatre Museum, member of the advisory body of the Cyprus Youth Board

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Emergence has put the spotlight on problems that are occurring in Europe

Michaela Buriánková, Prague Quadrennial managing director and manager of international projects

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Scenography is a story that has been told by space

Gundega Laivina, curator and cultural projects manager, who runs New Theatre Institute of Latvia

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Scenography is a blending of architecture and theatre into a time-based spatial art form

Oksana Zarzhevskaya-Kravchenko, main manager of IZOLYATSIA, The Platform for Cultural Initiatives

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More about EMERGENCE?

Read more about the international project

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What we hoped to achieve through our involvement in the PQ 2019?

Ephemera Collective reflections on the PQ 2019

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Even the day-to-day flow of the PQ in general (and of Fragments specifically) was spectacular

Jyles Rogers reflections on PQ 2019 and Fragments exhibition

Using a small selection of materials to start with participants responded to the provocations

Antony Nevin reflections on the PQ Studio Workshops

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